About Me

My work explores how abstract form can carry memory and feeling without depicting a specific narrative. Working primarily with wood and pigmented plaster, I am drawn to materials that already contain a sense of time through grain, layering, erosion, and repair. Carving, assembling, and reducing these materials becomes a way of revealing rather than illustrating. I think of the works as remembered structures: forms that hold the emotional weight of experience through rhythm, proportion, weight, and silence. They are intended to be encountered in the way one encounters music—through presence and sensation before interpretation.

I studied Fine Art Painting at Winchester School of Art (BA, 1995) and went on to complete my MA at the Slade School of Fine Art, University College London in 1997. For nearly three decades I have maintained a sustained studio practice, working independently and allowing the work to evolve through time, repetition, and close attention to material. The sculptures and plaster works represent an ongoing investigation into memory, structure, and the expressive potential of abstraction.